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The condition of a bridge is evaluated by structural assessment of its components. As described in AASHTO Rating Manual, ratings types are: 1. Live load rating: This is used to determine the usable live load capacity by inspection and by rating. Each component is evaluated and the lowest component rating is the most critical. It is expressed in tons. The load factor method used the following approach for a long time: Rating Factor C D L I A1 A2 (C A1D) / A2 (L I) AASHTO LRFR Eq. (D.6-1) Capacity of member Dead load effect on member Live load effect on member Impact factor Dead load factor (AASHTO LRFR D 6.5.2) Live load factor (AASHTO LRFR D 6.5.3)
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Melanoma is in the clinical differential diagnosis because there are slightly irregular borders, several dark colors, and it is an ugly duckling. One will not see the entire picture until the lesion is examined with dermoscopy. It could have looked much worse! The ugly duckling is a pigmented skin lesion that clinically and/or dermoscopically is different from the other lesions on a patient. An ugly duckling lesion is a red flag for concern; however, it is not always high risk. The dermoscopic picture seen here should give one reassurance that this is not a melanoma. By definition this is the reticular global pattern because the lesion is made up of pigment network. There are foci of irregular pigment network with broadened, branched, and broken up line segments. Irregular pigment network is not always associated with high risk pathology. Multifocal hypopigmentation and irregular pigment network can be found in dysplastic nevi. The hypopigmentaion could represent normal skin that commonly is found in melanocytic nevi. There are no well-developed melanoma-specific criteria, aka high risk criteria.
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What about audio The Blu-ray specification supports high-bandwidth multichannel lossless audio compression, giving the ability to deliver up to eight channels of pristine audio ecstasy. However, it is still not clear how all these channels will get to your speakers. Most current A/V receivers support S/PDIF or Toslink digital connections, which have enough bandwidth to deliver two channels of uncompressed PCM audio data or 5.1 channels of Dolby Digital or DTS-encoded audio data. In order to carry eight channels of uncompressed PCM audio, you would need four S/PDIF or Toslink connections all working together. All versions of HDMI have the ability to deliver eight channels of uncompressed PCM audio to an A/V receiver. But, if you want to use HDMI for a bitstream output of the other lossless audio codecs (DTS-HD MA and TrueHD), you need to update your receiver to HDMI version 1.3. Versions 1.0 to 1.2 do not have the bandwidth to support the higher bitrates of these advanced codecs. Another approach could be to fall back to using eight analog RCA phono plugs. Alternatively, the audio data can be delivered encoded, though it still requires more bandwidth than most receivers currently support, as well as requiring built-in support for DTS-HD and/or Dolby TrueHD decoding. Once you have decided on a viable solution (or two) for how to get the audio data to your receiver, there is still the question of where to send it from there. In other words, where are those eight speakers There is no specific standard for 7.1 speaker placement. In some configurations, the typical 5.1 configuration of Left, Center, Right, Left Surround, Right
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Conjunction that expresses negation:
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