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First note that the function is undefined at x = 1. 1 We calculate that h ( x) = ( x+1) 2 . Thus the graph is everywhere increasing (except at x = 1). 2 We also calculate that h ( x) = ( x+1) 3 . Hence h > 0 and the graph is concave up when x < 1. Likewise h < 0 and the graph is concave down when x > 1. Finally, as x tends to 1 from the left we notice that h tends to + and as x tends to 1 from the right we see that h tends to . Putting all this information together, we obtain the graph shown in Figure 3.7.
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Cascading Style Sheets 2.0 Programmer's Reference An underline is drawn beneath the inline text. overline An overline is drawn above the inline text. line-through A line should be drawn through the middle of the inline text. Note that middle does not imply vertical center, as the line will most likely be drawn closer to the center of lowercase characters than the actual center of the character boxes. blink The inline text should blink on and off, analogous to the BLINK element introduced by Netscape. User agents are not required to support this value. If this property is set on a block-level element, it will actually affect the inline Note content of the element. The color of any text decoration is set by the foreground color of the text. However, it is not always the case that the color of an element will match the color of the text decoration near it. This can occur due to the spanning of an element by the decoration set on an ancestor element. A text decoration is not inherited by descendant elements. However, the decoration set on an element will affect the entire element, including any descendants. Consider a hyperlink which has been set to text-decoration: underline. Within the hyperlink is an EM element. Since the EM does not inherit the decoration, its value for text-decoration is none. The underline still continues underneath the EM, however, since it is a descendant of the hyperlink. This is referred to as the "spanning" of descendant elements by a text decoration. This has some interesting consequences. Take the hyperlink-EM example, and assume that the hyperlink and its underline are colored blue, while the EM is colored red. The hyperlink s underline will be blue, even when it appears beneath the red EM element. Thus, it is possible for a text decoration s color to be different than the color of the text near it. It is also possible for a decoration to cut through text. Take an underlined element which contains a SUB (subscript) element. The subscripted text will be lowered with respect to its parent element s text, but the parent s underline will not change position. Thus the subscripted text will likely overlap the underline. If an element contains no text, then this property is ignored. Thus, it is not possible to underline an image by using text-decoration. However, images may have underlines appear beneath them due to the "spanning" described earlier. In many Web browsers, setting an element s text-decoration value to none will prevent the display of any decorations within that element, even if it should have been spanned by the decoration of a parent element. The exceptions are Internet Explorer 5 for Macintosh, Navigator 6, and Opera 4+ (although Opera still does not span decorations across images).
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The most formal communication format is the one that s been around the longest: a standard letter on conventional letterhead. The least formal business communication is E-mail. Think about this: No matter how serious your message, no matter how little you know someone, and no matter to whom you re writing, if you send your communication via E-mail, it will be perceived as less formal than if it s on paper. That doesn t mean you should not send important communications via E-mail. It does imply that critical, sober messages that are sent via E-mail should use a formal tone and style to compensate for the informal medium. Here are the least formal media formats: yers newsletters
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Relational database systems were originally developed because of familiarity and simplic ity. Because tables are used to communicate ideas in many fields, the terminology of tables, rows, and columns is not intimidating to most users. During the early years of relational databases (1970s), the simplicity and familiarity of relational databases had strong appeal especially as compared to the procedural orientation of other data models that existed at the time. Despite the familiarity and simplicity of relational databases, there is a strong math ematical basis also. The mathematics of relational databases involves conceptualizing tables as sets. The combination of familiarity and simplicity with a mathematical founda tion is so powerful that relational DBMSs are commercially dominant. This section presents the basic terminology of relational databases and introduces the CREATE TABLE statement of the Structured Query Language (SQL). Sections 3.2 through 3.4 provide more detail on the elements defined in this section.
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MP@ML Main profile at main level. The common MPEG-2 format used by DVD (along with SP@SL). MP3 MPEG-1 Layer III audio. A perceptual audio coding algorithm. Not supported in DVD-Video or DVD-Audio formats. MPEG Moving Pictures Expert Group. An international committee that developed the MPEG family of audio and video compression systems. MPEG audio Audio compressed according to the MPEG perceptual encoding system. MPEG-1 audio provides two channels, which can be in Dolby Surround format. MPEG-2 audio adds data to provide discrete multichannel audio. MPEG video Video compressed according to the MPEG encoding system. MPEG-1 is typically used for low data rate video such as on a Video CD. MPEG-2 is used for higher-quality video, especially interlaced video, such as on DVD, and high-definition video, such as on BD or HDTV. MPEG-1 video Video encoded in accordance with the ISO/IEC 11172 specification. MPEG-2 video Video encoded in accordance with the ISO/IEC 13818 specification. MPEG-4 Part 10 See AVC. mpls File extension for BD PlayList files (in the BDMV/PLAYLIST directory on the disc). MSK Minimum-shift keying. A wobble modulation method where a digital signal is converted into a half-sinusoid waveform. BD combines MSK and STW. Mt. Fuji An industry group made up of optical disc drive manufacturers, operating system vendors, independent software developers, and other optical disc affiliated companies, formed to develop a command set for DVD drives. See SFF 8090. MTBF Mean time between failure. A measure of reliability for electronic equipment, usually determined in benchmark testing. The higher the MTBF, the more reliable the hardware. multiangle A BD or DVD-Video program containing multiple angles allowing different views of a scene to be selected during playback. multichannel Multiple channels of audio, usually containing different signals for different speakers in order to create a surround-sound effect. multilanguage A BD or DVD-Video program containing sound tracks and subtitle tracks for more than one language. multilevel recording A variation of optical disc storage technology that achieves volumetric recording by varying the depth of the pits, thus recording multiple values in a single spot as compared to the traditional binary value. Can be applied to CD, DVD, BD, and any other optical disc format, but has never achieved commercial success. Primarily championed by Calimetrics. Also called grayscale recording. multimedia Information in more than one form, such as text, still images, sound, animation, and video. Usually implies that the information is presented by a computer. multiplexing Combining multiple signals or data streams into a single signal or stream. Usually achieved by interleaving at a low level. multisession A technique in write-once recording technology that allows additional data to be appended after data written in an earlier session. multistory A configuration in which one title contains more than one story. That is, different versions of the program can be selected for viewing. mux Short for multiplex. mux_rate In MPEG, the combined rate of all packetized elementary streams (PES) of one program. The mux_rate of DVD is 10.08 Mbps. The mux_rate for BD is 48 Mbps. n or nano- An SI prefix for denominations of 1 billionth (10-9). NAB National Association of Broadcasters.
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International standard ISO 15504 is also known as the Software Process Improvement and Capability dEtermination (SPICE) model. This is a maturity model that is based on SEI CMM and another model called Bootstrap. SPICE defines six levels of software development maturity: Level 0 Incomplete Level 1 Performed
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300 =IF(D27,D27,B73) Year 2 300 120 180 =D32-D33 0 =AVERAGE(B2,D2)*5% 0 =AVERAGE(B8,D8)*10% 16 =AVERAGE(B11,D11)*10% 30 =AVERAGE(B12,D12)*10% 30 =AVERAGE(B13,D13)*10% 104 =D34+D36-SUM(D37:D40) 41 =D41*40% 62 =IF(ISERROR(D41D43),0,D41-D43)
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