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itrix Presentation Server 4.0 provides access flexibility by enabling users to utilize published applications and content redirection within Program Neighborhood, Program Neighborhood Agent, and within a web browser. Handling application publishing according to the environment and adopting appropriate techniques can simplify maintenance and improve performance. This chapter contains recommendations for publishing application packages [Microsoft System Installer file (MSI) or Installation Manager s application deployment format (ADF)] with Installation Manager, as well as for the application deployment considerations with Installation Manager. This chapter also covers working with both Content Redirection and enhanced content and publishing in the Web Interface for Presentation Server 4.0. CONTENTS
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You might have to wait a few seconds, but the trunk should come up. If one side is set to on, or desirable, and the other is set to on, desirable, or auto (default), then the trunk should come up. 2. Save the configuration on the switch: copy running-config startup-config. 3. On the 2950-2 switch, set the trunk mode to trunk for the connection between the two 2950 switches and verify the trunking status of the interface. At the top of the simulator in the menu bar, click the eSwitches icon and choose 2950-2. Access Configuration mode: enable and configure terminal. Go into the interface: interface fa0/1. Set the trunk mode to trunk: switchport mode trunk. Exit Configuration mode: end. Use the show interfaces trunk command to verify the status. 4. Save the configuration on the switch: copy running-config startup-config. Now you should be more comfortable with setting up trunks on your switches. In the next section, you will be presented with setting up VLANs and associating interfaces to your VLANs. On the first day of 2008, Lionsgate released War, the first BD-Live disc. It was a fitting title given the state of the industry and the chest-thumping leading up to CES. Rumors were circulating that Warner Bros. would announce its allegiance to one format. Everyone knew what this meant if it were true. Given the stalemate between the formats, and with Warner representing roughly 40 percent of available studio content but releasing most of its titles in both formats, any move in either direction would drastically tip the balance. But some rumors pegged HD DVD while others named Blu-ray. Then, on January 4, 2008, Warner dropped its bombshell it would phase out HD DVD and move exclusively to Blu-ray. A shell-shocked HD DVD Promotion Group canceled its CES news conference. Toshiba executives immediately flew back to Japan. Apparently they had been expecting Warner to announce it would be exclusive to HD DVD. Unsubstantiated reports declared that Sony and/or the BDA had paid Warner anywhere from $250 to $500 million dollars, beating Toshiba s highest offer. Some reports claimed that Fox switching to HD DVD was to have been part of the deal, which was improbable in the extreme, given how hard Fox had worked to get BD+ into Bluray. Warner Home Entertainment President Kevin Tsujihara denied that there had been a payoff, maintaining that it was about choosing the best format for consumers. Warner had been in the expensive position of releasing two versions of every title, and Blu-ray discs had been outselling HD DVD discs roughly 2:1 for the previous year. Toshiba responded with a statement that began, Toshiba is quite surprised by Warner Bros. decision to abandon HD DVD in favor of Blu-ray, despite the fact that there are various contracts in place between our companies concerning the support of HD DVD, and ended with, We will assess the potential impact of this announcement with the other HD DVD partner companies and evaluate potential next steps. We remain firm in our belief that HD DVD is the format best suited to the wants and needs of the consumer. Translation: Warner broke our agreements. If we weren t a polite Japanese company we would sue them. We don t know what to do now, but we can repeat our mantra. Flurries of articles, blogs, and opinion pieces announced the imminent end of the format war, laying short odds on how long Toshiba would last. In a sense it became a self-fulfilling prophecy. By this time the industry, the press, and the public were so tired of the delays, the uncertainty, and the waste of time and money dealing with two irreconcilable formats that they welcomed any excuse to get it all over with and move on. The fat lady was warming up Part I:
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