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If you re an advanced hobbyist or a professional photographer making the switch to digital, a digital SLR is the logical camera to choose. Digital SLRs function just like their film-carrying brethren. In fact, if you currently own a 35-mm SLR, you may be able to use your current lenses with a digital SLR by the same manufacturer. Digital SLRs feature interchangeable lenses, on-camera flash, and advanced shooting modes that you can use to creatively photograph the world around you. Some digital SLRs feature anti-dust technology. As of this writing, Sony and Pentax are the first manufacturers to feature on-camera image-stabilization, which enables you to get sharp shots at slower shutter speeds. You can accessorize your camera by purchasing lenses, filters, offcamera flashes, and more. These cameras range in price from $700 to $4500.
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The #define directive defines a character sequence called a symbol. The existence or nonexistence of a symbol can be determined by #if or #elif, and is used to control compilation. #define symbol Notice that there is no semicolon in this statement. There may be any number of spaces between #define and the symbol, but once the symbol begins, it is terminated only by a newline character. For example, to define the symbol EXPERIMENTAL, use this directive:
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Digital television techniques have been around for nearly 20-odd years in the form of time-base correctors and video frame store devices. Most cable and broadcast television studios regarded such devices as simply black boxes because analog signals went in and came out. The digital technology simply operated inside the box. VCRs were also subsequently developed that used digital circuitry. The Society of Motion Picture and Television Engineers (SMPTE) then responded with standards for an alldigital television production studio. Thus, the frame store s switching and recording functions were performed in the digital domain. 5.411 Digital technology was developed to operate with the standard NTSC video format in use today. The video signal is converted to a digital signal by an analog-to-digital converter (ADC) by conventional means in which the resulting digital bit stream is processed and then converted back to an analog signal by a digital-to-analog converter. The processing might simply be a signal delay or frame store function. Digital parameters, such as sampling rate or a number of bits per sample that work with a 4.2-MHz bandwidth video signal, are handled within the device and are not under control of the user; hence, the phrase black box is used. To convert the NTSC color television signal voltage to a digital data stream of pulses, an appropriate ADC is used. A basic ADC is shown in Figure 5-26a. In order to convert back to an analog signal the reverse process has to take place; speci cally, a digital-to-analog converter (DAC) has to be used. The block diagram for a DAC is shown in Figure 5-26b. To convert analog signals to digital signals, certain rules dictate the sampling rate and the number of bits per sample. When transmitting digital data through a communication channel, the necessary bandwidth and the signal-to-noise ratio control the accuracy and quality of the digital signal. Resulting errors in the binary bits are referred to as the bit error rate (BER). This is an important measurement of digital signal quality. The input analog signal frequency is an important speci cation that controls the sampling rate and conversion to a digital data stream. After much research and testing for the video signal, it was determined that the sampling rate should ideally be four times the chroma subcarrier frequency, or 14.3 MHz. For excellent signal resolution, a choice of 10 bits per sample results in a serial bit stream of 10 14.3, which equals 143 Mbps. The minimum bandwidth needed to pass this signal is equal to one-half this, or approximately 72 MHz. Clearly, this signal cannot be data matrix code
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2.33 System Signal Leakage Testing Requirements
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