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ciscoasa# session 1 Opening command session with slot 1. Connected to slot 1. Escape character sequence is 'CTRL-^X'. login: cisco Password: cisco You are required to change your password immediately (password aged) Changing password for cisco (current) UNIX password: cisco New password: <new password> Retype new password: <new password> Last login: Fri Sep 2 06:21:20 from 10.0.1.1 ***NOTICE*** <--output omitted--> ***LICENSE NOTICE*** There is no license key installed on the system. Please go to http://www.cisco.com/go/license to obtain a new license or install a license. sensor#
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Working with Text Typography Rules and Conventions . . . . . . . . . . . . . . . . . . . . . . . Font Families and Font Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Styles and Types of Typefaces . . . . . . . . . . . . . . . . . . . . . . . . . . . Other Types of Typefaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Distant Cousins in Typeface Families . . . . . . . . . . . . . . . . . . . . . The Anatomy of a Font . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finding the Font You Need . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Working with Font Navigator . . . . . . . . . . . . . . . . . . . . . . . . . . . . Looking Up a Font . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Font Foundries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Last Word on Accessing Installed Fonts . . . . . . . . . . . . . . . . Finding Fonts on the Web . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finding and Saving Important Characters . . . . . . . . . . . . . . . . . . . . . . . . Using the Insert Character Docker . . . . . . . . . . . . . . . . . . . . . . . . Using the Symbol Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Font Etiquette: Using Fonts with Style and Appropriateness . . . . . . . . . Font Appropriateness and Very Basic Layout Rules . . . . . . . . . . Working with Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CorelDRAW s Text Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Entering and Editing Artistic Text . . . . . . . . . . . . . . . . . . . . . . . . Character Formatting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Artistic Text and the Shape Tool . . . . . . . . . . . . . . . . . . . . . . . . . Combining and Breaking Apart Artistic Text . . . . . . . . . . . . . . . . Converting Artistic Text to Curves . . . . . . . . . . . . . . . . . . . . . . . . Entering and Editing Paragraph Text . . . . . . . . . . . . . . . . . . . . . . Creating Linked Paragraph Text Frames . . . . . . . . . . . . . . . . . . . Web-Compatible Paragraph Text . . . . . . . . . . . . . . . . . . . . . . . . . Editing Text: The Comprehensive Tour . . . . . . . . . . . . . . . . . . . . The Text Bar and Special Paragraph Formatting . . . . . . . . . . . . . . . . . . . Drop Caps and Bulleted Lists Formatting . . . . . . . . . . . . . . . . . . Adding a Drop Cap to Your Paragraph Text . . . . . . . . . . . . . . . . . 321 322 322 323 324 326 327 328 330 333 333 334 336 337 338 340 340 345 346 346 351 352 354 355 355 358 359 359 361 361 362
as if he or she isn t already registered in the system. One of the most susceptible points in the system is the user-data capture interface. This user-data capture interface is particularly important from a security perspective because the capture device is often readily observable by and available to the user, as well as to any potential adversary. One of the major threats to capture devices is the use of simulated or artificial biometric specimens or samples. Several excellent papers published in the open literature document this threat. For example, Professor Tsutomu Matsumoto and his colleagues at Japan s Yokohama National University have recently detailed two methods of creating an artificial biometric specimen in the form of fake fingerprints.3 Both of Matsumoto s methods use gelatin to re-create a person s finger. Gelatin is readily available at most grocery stores and is a major component of Gummi Bears, the well-known goodie. In the first method, Matsumoto takes a live finger and makes a plastic mold from that finger. He then pours liquid gelatin into the mold and lets it harden. This fake gummy finger can be used to fool both optical and capacitive fingerprint detectors. The second method is more sophisticated and is used to generate gummy fingers from latent fingerprints. Matsumoto first takes a fingerprint left on a piece of glass and enhances it with a type of super glue known as cyanoacrylate adhesive. He then photographs that enhanced latent fingerprint with a digital camera and uses photo-editing software to improve the contrast and quality of the image. Next, the image is printed on to a transparency sheet and used in conjunction with a commonly available photo-sensitive printed circuit board (PCB) to etch the fingerprint into the copper of the PCB, making a three-dimensional representation of the fingerprint. Finally, the gelatin is poured on the PCB to create the gummy finger. Gummy fingers are particularly flexible in that they can fool sensors being watched by guards. All the adversary needs to do is form the gelatin mold over his or her own finger and, effectively, new fingerprints are created! After using the gummy finger to gain illicit access, the adversary can then eat the evidence. Researchers from West Virginia University have also performed similar experiments using molds made from dental material. They showed that Play-Doh and clay molds could be verified against enrolled, live fingers for all fingerprint technologies tested (capacitive and optical). In addition, they were also able to scan, enroll, and verify fingerprints from cadaver fingers. In an article in Network Computing by David Willis and Mike Lee, entitled Six Biometric Devices Point the Finger At Security, the testing team reports that they were able to fool many of the optical scanners they tested using lifted
Keypresses
CAM SYSTEM DYNAMICS RESPONSE
Pay mix: Pay mix splits TTCC into two components: base salary and target incentive amount. We express pay mix as a percentage split with the first number representing the base salary and the second number representing the target incentive amount:
Here is a sample run:
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