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Matt likes to structure his days; otherwise, he feels anxious. Encouraging him to slow down and do something he enjoys for an hour each day is something he would de nitely respond to positively. Having him report on this at each coaching meeting would reinforce this behavior, because Matt would not want to admit he hadn t done his assignment. Gradually have him learn to relax and slow down without the structure, then reinforce him each time he does this. Explore who Matt really is outside of work by asking him to talk about his interests and hobbies, as well as his values and what he cares about most. This will ignite his passion about doing what he loves rather than doing what he feels he should do.
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Express irritation and resentment regularly but try to control their deeper anger
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Originally, the title of producer was only used for an employee at a publishing company. Development companies were so small that they didn t have much management apart from a lead programmer. In time, however, as development companies grew, they began to get full-time development managers, and just to complicate matters further, the development companies began to call these people producers as well. So now an externally developed game might have two producers: one at the publisher, looking out for its interests; and one at the development company, overseeing the actual construction of the game. As a result, the concept of internal and external producers has arisen but it doesn t mean internal and external to the publisher as it does with internal and external development. Instead, it refers to the location of the producer with respect to the development team. Ellen Beeman, whose story you ll read a little later in this chapter, is an internal producer working at Monolith, a development company, on an externally developed product for their publisher, Sierra Entertainment. That is, she has a development team working for her inside her company, so she is an internal producer. In the meantime, Sierra Entertainment also has a producer responsible for the product at their end. Because development is taking place outside Sierra, this person is an external producer. In order to avoid further confusion, in this chapter I ll pretend that all producers work for publishers. If I need to talk about the person overseeing development at a development company, I ll call that person the development manager.
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