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Current and Noncurrent Current describes the span of time of the business period, typically a year. So a current asset is an asset with a life of less than a year. The same is true with a current liability. Basically, unless there is a continuous addition to the account, a current item on the balance sheet today would not be there in next year s balance sheet. For example, the particular accounts receivable on the books in one year s balance sheet would be gone by next year s balance sheet, given a typical collection period of no more than several months. The accounts receivable shown in the next year s balance sheet are new receivables not yet collected at that reporting date. All shareholders equity is assumed to be noncurrent.
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The For-Each-Next loop comes into its own when dealing with collections, however. The purpose of a collection is to allow the programmer to reference the collection without knowing what is inside. Thus, to step through all the shapes in the collection, the following code is used:
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One of the initial problems with Ethernet was that you were limited to the length of a segment because copper was used as a media type: 10Base5 supported 500 meters and 10Base2 supported 185 meters. When 10BaseT was introduced, using unshielded twisted pair (UTP) cabling, the distance limitation shrunk even further: 100 meters. One issue of using copper as a transmission medium is that as the signal travels down the copper wire, the signal slowly degrades because of noise in the line, the signal losing strength, and issues with devices not specifically following the rules defined by CSMA/CD. One solution is to use a physical layer repeater to repeat the signal to deal with noise and signal strength. With 10BaseT, a hub, a multiport physical layer repeater, is used to perform this function. A hub takes a signal received on one interface and
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goals of narrative problem analysis strive for a simple design that is consistent with the narrative. Be prepared to follow up with additional require ments collection and consideration of alterna tive designs.
Notes: 1. Power-system and statusmonitoring connections are not shown. 2. Optical signals A and B could be combined by an optical coupler to one fiber.
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Typical download applications include pulling new AV streams from the Internet, such as the most recent trailers, additional audio or subtitle streams, bonus videos, or new BD-J applications. Network connectivity provides the perfect mechanism to update BD-J applications of a disc to either enable more functions or to fix bugs that were encountered after the disc was released. In fact, a great way to start implementing BD-Live on discs is by adding a so-called bootstrap functionality. This means that a disc, after insertion into the player, will automatically try to connect to a network server to check for available updates. If an update is available, the user can decide if it should be downloaded or not. This bootstrap functionality allows additional features or fixes to be added without having to plan for them in the beginning. It s basically getting a foot in the door to add more functionality of any kind in the future. And if it is not necessary to add anything in the future, then it doesn t have to happen. The counterpart of downloading features is uploading features. Typical scenarios for this are to allow users to upload information and share it with others on the network. This could be high-scores for games, bookmarks to their favorite scenes, or other types of user-specific comments for a given title. The possibilities provided by uploading or downloading functionalities are great, and combining them both makes it an even stronger proposition. A disc could include chat functionalities, as known from other computer environments, that allow users to talk about their favorite movie with other enthusiasts. Or, network games are also possible, where multiple online players can compete against each other. These kinds of scenarios all require data to be transferred both ways and need an application to be flexible enough to render instant information dynamically to the screen. In order to do this, though, the use of fonts or bitmap fonts is necessary.
The X4 Test Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Begin a Design with a Concept . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting Up the Page for the Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting Up Guidelines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Using the Polygon Tool to Design a Gear Shape . . . . . . . . . . . . . . . . . . Creating and Modifying a Polygon . . . . . . . . . . . . . . . . . . . . . . . Using Shaping Operations to Massage the Design . . . . . . . . . . . . . . . . . Shaping the Polygon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A Brief Excursion into Gradient Fills . . . . . . . . . . . . . . . . . . . . . . . . . . . Creating a Metallic Finish Using Fountain Fills . . . . . . . . . . . . . Going 3D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Using the Interactive Extrude Tool . . . . . . . . . . . . . . . . . . . . . . . . Making a Logo into a 3D Logo . . . . . . . . . . . . . . . . . . . . . . . . . . Adding Text to the Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Creating an Envelope Shape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Making a Headline/Enveloping the Headline . . . . . . . . . . . . . . . . Fitting Text to a Path . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Running Text Along a Circle . . . . . . . . . . . . . . . . . . . . . . . . . . . . Align, Group, Scale, Flip, and Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . Getting Your Logo Design into the Real World . . . . . . . . . . . . . . The Test Drive Cross-Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Getting Started with CorelDRAW X4 Working with Single- and Multi-Page Documents . . . . . . . . . . . . . Setting Up Your Document Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Page Viewing Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tutorial: Creating Your Own Bleed Designs Using Your Home Printer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Controlling Page Size and Orientation . . . . . . . . . . . . . . . . . . . . . Controlling Page Background Color . . . . . . . . . . . . . . . . . . . . . . Using Layouts and Labels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Naming Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Using the Rename Page Command . . . . . . . . . . . . . . . . . . . . . . . Using the Object Properties Docker . . . . . . . . . . . . . . . . . . . . . . . Using the Object Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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