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If you d like to confirm the fact that the editing you performed is nondestructive, take the Shape Tool and marquee-select several control nodes. Then drag them away from the center of the photo, as shown here. Then press CTRL+Z to undo this nondestructive and unwanted edit!
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Notice that the constructor is specified as public. This is because the constructor will be called from code defined outside of its class. This constructor assigns the instance variable x of MyClass the value 10. This constructor is called by new when an object is created. For example, in the line
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DSV can be joined or joins can be removed. Items can be renamed to friendlier names, and more. The DSV is very powerful and it is critically important because a cube can only be built from a DSV. Cubes have no knowledge of any data sources other than a DSV.
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Businesses and organizations are adopting and deploying optical disc equipment and software to solve a variety of data distribution problems. Sales patterns for networked recorders, as well as software designed to provide access to optical discs over the network, have been strong in recent months. Optical discs make sense for businesses for many of the same reasons that they have proven so successful in other areas: the low cost of storage, the portability of the medium, and the simplicity with which hardware and software can be con gured, deployed, and maintained. Many of the applications discussed earlier in this book, of course, also apply to businesses. Data backup and archiving always have high visibility within businesses. Distributing databases, video, audio, and other high volume content also work very well on optical disc. The difference addressed in this chapter, however, is more the matter of scale. Businesses and large organizations typically have a much more urgent need to share data, sometimes with geographically disparate staff members, and to collaborate on projects over very great distances. To defray the cost of important business equipment, such as CD recorders, devices are often placed on the network for group access, presenting another level of complexity for ensuring error-free recording and effective utilization of the hardware. This chapter addresses those unique needs faced by businesses when integrating optical disc storage components into their daily work processes.
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2. Using the Zoom Tool Property Bar options, set your view magnification to
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In the late 1980s, several vendors recognized these benefits and began developing SONET systems. In particular, SONET s synchronous multiplexing and ring protection capabilities enabled vendors to build very low cost multiplexers systems that could sit on an optical fiber ring (the preferred deployment topology because of its low fiber cost and inherent route diversity) and add and drop traffic at each location on the ring. These multiplexers, called SONET Add Drop Multiplexers (ADMs), ushered in a new paradigm in optical access and transport. The ADM has served as the primary building block for optical transport networks for nearly 20 years. Figure 11.2 illustrates the SONET ADM. The combination of SONET s benefits and the advent of the ADM has resulted in the widespread deployment of SONET technology in service provider networks over the past 20 years, with North American service providers deploying hundreds of thousands of SONET network elements (most of them ADMs) over that time. And, although SONET originally was designed to carry DS1 and DS3 signals, its tremendous base of installed equipment (and engineering know-how), as well as its strong operational and survivability characteristics, remain attractive to service providers who provide Ethernet services.
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Are there recommendations that you give people in terms of structuring the design Stay away from large areas of tone. Unless you re doing a halftone where the image changes as it goes across. If you wanted to do a 40% tint across the disc, just by the nature of silk-screening, you can get waves in it where the ink is thinner or thicker in certain places. You won t see that in a half-tone of an image, because the image will hide it. But, if you were to lay down a 40% tint and put it down over a disc, you would probably see some shift somewhere, just because it is impossible to pull it down evenly. Large areas of solids aren t a problem just screened areas. If you re doing a large area of solid, the printer will mix the ink thicker. So, the CD printer is going to mix the ink based on whether or not there is a halftone in the image or it is a solid image and whether or not it is silver or applied over another color. So, if working with a solid area, the printer can mix a really thick ink. You can lay that down without a problem; you ll never see any waves with that. But, if you re working with a half-tone, you need to mix a much thinner ink. The thinner the ink is, the more likely you re going to see any inconsistency in the thickness of the ink. Because the ink is translucent. Do you have recommendations in terms of where colors are butting up against each other Or, for bleeds We don t bleed the CD label. One hundred sixteen millimeters is all that it goes. It is a circle and that is that. However, we do trap very aggressively. Depending on what the colors are if it is type on black we will give it as much as a one-point trap, which is a very big trap as far as offset printing goes. With silk-screening, the registration isn t that great, so big traps are pretty useful. What work do you have to do on the artwork submitted for labels We check all the les to make sure they aren t using any duotones. And, to ensure that the les aren t using RGB colors. With CD labels, we are more likely to take apart and then reconstruct whatever the customer did. We make sure that each piece of the artwork
You probably noticed that some important people got left out of the previous section: the companies that build the game consoles themselves. What role do Sony, Nintendo, and Microsoft play in the game business Well, to begin with, it s important to realize that the hardware itself is not really the way they make their money. Sony sells the PlayStation 2 to the retailers for just a little more than what it costs them to build it in the first place. That s because the real profit isn t in the machines, but in the games. Each customer only needs one PlayStation, after all. What Sony is hoping is that those customers will each buy dozens of games for it. Console manufacturers make their money by charging the publishers a fee for each copy of every game published for their machine. You re not allowed to publish a game for the Nintendo GameCube, for example, unless you sign a contract with Nintendo authorizing you to do so, and specifying how much you ll pay them for every copy that is manufacured. In order to make sure they make a profit whether or not the players buy the game the console manufacturers retain the exclusive right to manufacture the games themselves. Only the console manufacturer can press the special CDs or DVDs required, and they charge the publisher about $9 or $10 per copy. (If the publisher agrees to make games for only that machine, they can negotiate a better deal.) Console manufacturers are also publishers in their own right, doing deals with external developers and maintaining internal development teams. They have their own lines of games, often with highly recognizable characters like Mario and Sonic the Hedgehog. These help them establish a brand identity and make sure there are games available for the console as soon as it comes out. Console manufacturers are the most powerful companies in the business, but they re also the ones taking the biggest risks. It costs hundreds of millions of dollars to design and bring a new console machine to market, and experience shows that there s really only room for about three of them at any one time: two main competitors and an also-ran. Once it was the Sega Genesis and Super Nintendo, with the Neo-Geo in third place. Then it was the Sony PlayStation and Nintendo 64, with the Sega Saturn in third place. Now it seems to be the Sony PlayStation 2 and Microsoft Xbox, with the Nintendo GameCube bringing up the rear. (After the failure of the Dreamcast, Sega abandoned hardware manufacturing altogether and decided to
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Each virtual channel has its own virtual channel driver that sends virtual channel data to the WinStation driver (described in the following section). The format of the virtual channel data is not standardized as it depends completely on the virtual channel implementation.
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Capabilities
Part II:
Vessels seen with dermoscopy are nonspecific, yet have the possibility of suggesting a specific diagnosis. Arborizing Basal cell carcinoma Comma Nevus Glomerular Bowen disease Linear pinpoint-Clear cell Polymorphous Melanoma acanthoma Hairpin-Seborrheic keratosis
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